Meaning in art, especially in writing

Website design By BotEap.comPerhaps two hundred years have passed since the poems of William Blake marked an important stage in the romantic period of literature. Although Blake favored illuminations, and such fantastical imagery was also later used in the work of Coleridge (famous for his own poem, Kubla Khan, supposedly inspired by an opiate dream), Romanticism stands out especially for its discovery of darkness, what sooner or later became known as the depths of the group unconscious, psychological force, and within philosophy what are called natural kinds, a concept about which (according to thephilosophers.com) still have been made. Few important discoveries. The territory remains mysterious.

Website design By BotEap.comAlthough it may seem both simplistic and peculiar, the idea that dark and light were the two loci of Romanticism —and I take it for granted that Romanticism also appeared in pictorial art, for example, Nature Symbolized by Arthur Dove– – can be apprehended, or in the words of the “drunken” romantics that these two properties were also in some respects identical properties constituting a third property — the property of contrast. In fact, there is a hidden meaning that contrast is what represents darkness. So the attributes of darkness are also the attributes of illumination, when you see that the attributes of illumination are also the attributes of casting shadows on a cave wall. By this allegory, romanticism is actually indirectly a reference to two things: writing and philosophy.

Website design By BotEap.comBut I will ignore this central thesis for now. We do not have to believe that philosophy is the object of writing, or that writing is the sole purpose of art. After all, part of the obscurity of meaning —if we see that contrast in its broad sense is also meaning of any kind—the principle of “inking” the page—is also the figure of visual images. within the context of literal and a-literal writing processes. Clearly writing could be more than one thing, in a broad definition; it could be something with a visual and non-visual system. Whether systems have meaning is a question that is often not addressed in the realm of literature or art, and certainly philosophers themselves have had enough trouble.

Website design By BotEap.comWe can then evaluate (instead), what is called the ‘again’ importance of the meaning, the obvious sense in which the meaning purports to portray itself. Clearly, this meaning, the meaning of a dark sense of literalism or a-literalism, comes down to the color of the words, or a sense in which the figurative (visual) meanings of the words have been realized, as an expression of deep Contrast with a pre-text of unmarked images. So, there is a choice between black and black: black is more primary than white, in the sense that it contrasts with white, which in turn expresses the sum of all bands of light (a unique privilege), and the An alternative to literalism is a sense in which contrast is important, like the stripes on a tiger or the shadows cast on a cave wall.

Website design By BotEap.comThe essential thesis at this point is not that writing is philosophy, or that Blake’s tiger is an allegory of meaning in general (although in the movie Life of Pi it is possible that the tiger represents writing), but what I mean express. it is that blackness specifically has been a symbol of the deeper meaning. Not the general meaning, but the highly specific meaning of meaning in general. Dark was meaning. This is like the beginning of the Bible.

Website design By BotEap.comWhat else can be said about the dark meanings? I feel like they are DOUBTIOUSLY used in books like Heart of Darkness and Lord of the Flies, because darkness has simply been used as a double name for evil. Since what is intended is an evil meaning, it is clear that black has NOT been reduced or delegated in any way other than its original form, i.e. a more generic sense of meaning that cannot be called evil. Bad meaning is just a form of meaning, which has been meaninglessly delegated. It is simpler to conclude in a wider variety of contexts (outside of Heart of Darkness and Lord of the Flies) that black generally represents meaning, just as ivory at a certain time in history represented wealth. The psychological loss of specialized meaning by the use of the word evil is not rational, it is a kind of romantic mistake. Clearly, the romantics would not call darkness evil except for some desire to appeal to the psychological aspect of writing.

Website design By BotEap.comAnother instance where black makes sense is the use of blackboards where, appropriately, the chalk drawing evokes the intelligence of negative space or genuine formalism, connoting the high intelligence of education. The blackboards prefigure a concept of higher art, in which aversion is used to reach ever greater levels of meaning, perhaps even through Venn diagram-like degrees of permutation. In this sense, the blackboard and the chalk represent a kind of logical form of meaning, still in the form of contrasting evidence. The direct corollary with writing in general and conceptual art is obvious, once you consider that blackboards have almost universal authority. The exception to this rule is another mistake, the mistake of poor students making nonsensical doodles and cartoons on blackboards. Teachers will even announce that these are “nonsense scribbles.” Clearly, cartoons, even as a partial exception to my argument, are a very specific case of meaning that ignores the teacher’s teaching.

Website design By BotEap.comThroughout nature there is evidence of the validity of treating art on the principle that darkness is meaning. If there is a rhetoric against this, it derives from a kind of blackboard logic that evokes the passing of an era: the intrusion of a principle of double contrast that, to a great extent, does not lose the connotation of obscurity of meaning.

Website design By BotEap.comIt is easy to deny the objectivity of either point of view: either the point of view that black meant or the point of view that white provides contrast. It is easy to understand that an incoherent view can have coherence in an incoherent context: a Venn-type view. That is a mere exercise in relativity. So I return to the theme of darkness, that rivers are dark, and blood is dark, and when we look at the sun our eyes are darkened, and the most beautiful jewels are dark, and the most precious pearls are dark—

Website design By BotEap.comWhen Homer describes the wine-dark sea, he seems to be referring to the blood of the Greeks, as having supreme, and perhaps even trivial, significance to the gods. Similarly, I would like to argue that, even without a battle for Troy, the form of meaning is very much like a substance that foreshadows any idea, and can also be considered opposite to itself, because a principle of contrast has been introduced. , which some believe is already the same. Yet it fills categories with meanings, and each category has a meaning. And all the meanings are obscure, obscure of meaning. The meaning is obscure. Let your eyes soak up the sense of art, the sense of ink and the paradoxical significant categories with that fixed blindness that is the presence of colors in writing.

Website design By BotEap.comIf there is a folly in the search for meaning, it is the overextension that occurs when writers do not take meaning seriously, or when they blindly, and not blindly, ignore the complexity and perfection of the foundations of their work. Writing is a high art, and deserves to venture into the same juxtapositions available to the tutor with his blackboard. White can be negative space. We can return to the realm of forms. Poetry is not pollution. En arche en o logos: In the beginning all thought was blind. And darkness was the meaning of all things.